Showing posts with label stringed instrument. Show all posts
Showing posts with label stringed instrument. Show all posts

Monday, February 23, 2015

New Page Added! Completed Kanteles!

Just a quick update on a new kantele page for the blog! The Completed Kanteles page, located at the top above or in the bolded link provided, is a page dedicated to my ever growing list of kanteles that I have completed. This page should make it easier to navigate to information regarding each of the completed kantele builds. As I build more kanteles in the future, I will continue to add and update the page. I definitely have some unique kanteles on the way I will be working on in the next coming months, with complete information and build logs, so stay tuned for updates! And if you haven't already viewed the completed kanteles, I encourage you to take a look! Enjoy!

Saturday, February 14, 2015

Pseudo-Build Log of Kantele #004 - Part II

Welcome back to Part II of this kantele build log for kantele #004. The previous part showed a few of the beginning stages with the raw bubinga turning blanks and gluing of the sides. Below are more pictures showing the gluing and construction of the frame. Just hover your mouse over the pictures for a description or click to enlarge. Part III to come shortly, enjoy!






















Extra Sources and Info:
 
1.) Pseudo-Build log of Kantele #004 - Part I

2.) Completed Kantele #004 Info

Tuesday, February 10, 2015

Pseudo-Build Log of Kantele #004 - Part I


       Welcome to the fourth installment of my kantele pseudo-build logs! This log will show some of the details of kantele #004, which happens to be my favorite to date. Like my previous build logs, I kind of dropped the ball on documenting the later portions of the build, so I really only have some of the early parts documented. I will however be taking a more complete documentation of my future kantele builds now that I have gotten more involved in posting and sharing this work. Because there are a lot more pictures with this build log, I will break it up into three parts so that this post isn't overloaded with pictures. Just hover your mouse over the pictures for a description or click to enlarge. Below I have included links to the pages of the completed kantele #004, as well as additional resources for upcoming builds and reviews of suppliers I commonly buy my woods from to create my kantele. Stay tuned for Part II in the coming week!













Extra Sources and Info:

1.) Completed Kantele #004 Info

2.) Some Future Kantele Wood Choices

3.) Suggested Wood Sources

4.) Raw Materials Resources

Monday, November 10, 2014

Kantele #003

kantele #003 handmade 8 string modelLuckily during my build of Kantele #002, I had exactly enough wood to make another 8 string kantele. So I did, and made Kantele #003 a twin of the previous. It has a different theme, but made of the same exact woods with the same exact dimensions. Interestingly enough, the sound is very different. I will do a comparison of these two in a future post. I will say however, that I really like the tone of #003, and feel that it is a significant improvement, much more mellow and rich.

 kantele #003 hand carved dragon flair style ponsikantele #003 hand carved ponsi top viewkantele #003 hand carved dragon flair style leopardwood and padauk ponsiThough the woods are the same, there is definitely a noticeable difference in style. This kantele uses kind of a "curl" theme, reflected in the ponsi, headboard, and "f-hole" soundhole. The dragon flairs on this ponsi was particularly fun and challenging to carve, being my first attempt at such type of carving. Despite having an unusual grain, I found the leopardwood very nice to carve and hold its shape, but one must work with the grain flow to avoid chipping or tearing of the wood. Another unique feature of the ponsi is the carved top and front profile. This was inspired by the geometric chip carving style, and was also a first for me as well. The inside curve where the varras, or string-holding bar is located, is also a noticeable improvement from the previous two, which has a very round vertical profile as opposed to the more flat-sawn curve shape of its predecessors. The decorative headplate is simpler than #002, and cleaner all around than the previous. I had bought another padauk rosette to inlay, but felt that the added wood to accommodate it would make the headplate unnecessarily bulky. There is also less overlap onto the vibrating portion of the soundboard, possibly contributing to its overall better tone. #003 turned out only slightly wider in size, but all other dimensions remained the same. I do feel that the cypress used for this soundboard was also a bit nicer quality than #002.


kantele #003 curly maple backboard with f-hole soundholekantele #003 handcarved leopardwood decorative headplate with tuning pinskantele #003 african mahogany tuning peg shelf with tuning pinsI also chose a much nicer curly hard maple board to use for the backboard, which has much more noticeable and attractive figure than #002. Curly hard maple takes a beautiful polish, and with the curl can provide quite a stunning look. The soundhole was quite a bit more challenging: since I already glued the backboard on before cutting it out (to ensure it went on straight, since it can slightly move around during the gluing process), I had to drill many tiny holes along the outline of the shape, then slowly cut away the shape with a very sharp knife and chisel by connecting the dots. The larger soundhole also not only lends itself nicely to the overall theme, but provides more volume while still keeping the aesthetics of a backboard.

Extra Sources and Info:

1.) Kantele #001 Info:  http://oertheeternalstrings.blogspot.com/2014/10/kantele-001.html

2.) Kantele #002 Info: http://oertheeternalstrings.blogspot.com/2014/11/kantele-002.html